Sunday, December 21, 2014
in the 1936
Summer Olympics, Louis "Louie"
Zamperini fought in World War II. He escaped enemy fire
in the air as a bombardier,
drifted in the sea for 47 days after his plane crashed, and
suffered unimaginable brutality in
camp on land. Many decades later, his incredible war
experience is finally shown on the big screen in
Jolie's well-crafted and engaging biopic
(USA 2014 | 137 min.). Although the film's screenplay is
penned by veteran filmmakers Joel
LaGravenese, and William
Nicholson based on Laura
Hillenbrand's bestselling book, and
Jolie's impressive direction, the film comes up short in
displaying the extraordinary strength that kept the war
hero's body and spirit alive.
The film opens with a breathtaking battle in the air when Louie (Jack O'Connell) and his pal encounter enemy fire during a bombing operation. Between the bullets, the film smoothly flashes back to Louie's teenager years (C.J. Valleroy) when he was a restless naughty boy. Under the encouragement of his brother Pete (John D'Leo), Louis trains hard and becomes a distance runner. At the 1936 Summer Olympics, Louie performs remarkably during the last lap of men's 5000 meters final competition. Although the film reenacts the unforgettable moment, it noticeably leaves out the episode that Hitler was so impressed by Louie's performance and met him in person to shake his hands. Probably the incident doesn't quite fit into the undertone of the film, or perhaps there is no time to tell that story, because the film swiftly brings us back to the fierce fight in the mid air.
After the excitement in the air is over, the film shifts to its second act in the sea after Louie's plane crashes. Three survivors—Louie, the pilot Russell Alan "Phil" Phillips (Domhnall Gleeson), and tail gunner Francis "Mac" McNamara (Finn Wittrock)—hang on their lives on a raft. Like in "Life of Pi" without a tiger but plenty sharks, the three drifts in wide open water for 47 days until Louie and Phil are miraculously spotted and captured by a Japanese war ship. From one hell to another, they are put in a POW camp in Tokyo.
The third act of the film becomes the most unbearable to watch when it depicts Louie's misery in the Japanese POW camp. An unpredictable, mood swinging, and terrifying officer Mutsuhiro Watanabe (Miyavi), also known as "The Bird," is the worst nightmare and the most evil monster in the camp. He repeatedly tortures Louie and other prisoners, often for no reason at all or maybe to satisfy his personal sadistic desire. Yet, Louie is unbroken by the brutality and endures the unbearable for more than two years until the end of war.
With this solid sophomore feature, Angelina Jolie attracts the spotlight as a fine director in a male-dominated crowd. This is a fine piece of work that is full of confidence and top-notch technical details. Each scene is impeccably composed to tell the amazing story about this unbreakable war hero. The first act of the film especially stands out to be exhilarating. It's a chaotic and thrilling fight, yet we are clearly shown what is going on.
However, Angelina Jolie seems to be restrained by the material in the screenplay. Her ability on exploring the source for Louie's strong mind is unfortunately confined to nothing more than a few words from his buddies and his brother Pete. What keeps Louie going while floating in the sea with little hope to be rescued? How can Louie endure the horrific physical torment and hideous living condition? The film says little about that. Particularly in the second and third section, the film spends more time showing Louie's suffering than portraying his increasingly stronger mentality.
Japanese rock star Miyavi gives a striking performance as the malicious Watanabe, but the film also tends to focus more on what crimes he committed and less on why he lacks of any humanity in his soul.
It's heartwarming to see the footage of 80-year-old Louie ran a lag in 1998 Winter Olympics Torch Relay during the end credit, which also states that Louie has forgiven Watanabe. Given what Louie went through in the film, it's extremely remarkable as well as intriguing about how Louie comes to term of reconciliation. That should be another, perhaps more interesting, movie about this exceptional human being.
Friday, December 12, 2014
The Imitation Game
The name Alan
Turing should sound quite familiar to you, especially if
you enjoy your computers, tablets, and smart-phones that you
are using right now. He was a distinguished British
mathematician who was a pioneer in computer science and
artificial intelligence. His significant contribution in
cracking Nazi's encrypted messages helped the British and
its allies to win World War II. After the war, he was
ordered to keep his accomplishment as a top secret. But when
the secret about his sexuality was discovered, he was
bigotedly prosecuted for being gay in 1952 when homosexual
activity was a crime. Alan
Turing's fascinating and extraordinary story is
dramatically unfold in Norwegian director Morten
Tyldum's engrossing new film
Imitation Game" (UK/USA 2014 | 114
min.). During Toronto
International Film Festival few months
New York Times amusingly summarized this film as
King's Speech" met "A
Beautiful Mind" on "Brokeback
Mountain." That actually isn't too far from
Cumberbatch's terrific performance as Alan
Turing likely will add more goodies
in the gift-basket during the upcoming award season.
During World War II in 1939, British forces' fight against the German looks bleak. Although the British can intercept German forces' radio transmissions encrypted by a machine called Enigma, they cannot decode these messages. When Royal Naval Commander Alastair Denniston (Charles Dance) recruits a team of experts to crack German's unbreakable code and to turn the war around, 27-year-old prodigy Alan Turing (Benedict Cumberbatch) joins the ambitious effort.
Although Alan is a genius in mathematics and in solving puzzles, he is remarkably awkward at social interactions. While keeping his homosexuality as a deep secret, he finds comfort by submerging himself in his code-breaking work inside the heavily guarded mansion in Bletchley Park. With the support from the Prime Minister, no less, he assembles a team of sharp minds including a brilliant Cambridge mathematics graduate Joan Clarke (Keira Knightley) and a chess champion Hugh Alexander (Matthew Goode).
Firmly believing in machines (later we call computers) to process logic like a human brain, Alan and his team build a complex electro-mechanical device bombe which he names it Christopher after his only childhood friend in a boarding school. With their passionate work, persist dedication, and pure luck, they finally crack German's encryption which changes every 24 hours. Their work eventually helps the British to win the bloody war.
Clearly, the director Morten Tyldum is gearing toward to entertain a broader audience when he tells Alan Turing's remarkable story in this film. The film is gripping from the beginning to the end and it's full of dramatic moments, even some of them are ostentatiously choreographed and less convincing. However, the superb performance by the cast and the incredible story keep us captivated.
It's unfortunate that the film doesn't have any illustration about Alan Turing's intelligence in mathematics. All we can see is that Alan works on a bombe like a handyman or an electrical engineer instead of a mathematician. The film shies away from explaining any mathematical algorithm or encryption theory which is at the center of the film. That omission raises suspicion about the filmmakers' diminishing of viewers' intelligence. For example, Instead of elaborating how Alan Turing's mathematical mind cracks the enigma, the film invents an aha-moment during a bar-talk that inspires a breakthrough. While it makes an exciting scene for the movie, it's quite ludicrous in science.
However, despite the lack of scientific element, the film undoubtedly makes Alan Turing an iconic name for generations to remember.
Without doubt, Chris Rock is
one of the funniest comedians today. His jokes are fierce,
witty, socially relevant, and sometimes offensive. However,
he has not been content by doing what he does the
best—being a stand-up comedian. Instead, he has been
flirting with the notion to be an earnest filmmaker and
already directed two forgettable comedies "Head of
State" (2003) and "I Think I Love
My Wife" (2006). Would the third time be a charm?
Apparently, despite the fundamental flaw in the story's
setup, the writer/director/actor Chris Rock
makes an impressive stride in his latest dramady
Five" (USA 2014 | 101 min.). He blends the
reality and fiction together and creates a protagonist that
is sometimes hard to be distinguished from the filmmaker
himself. With his star power, he assembles an impressive
group of fellow comedians to help him telling a story about
an actor who is stuck at a crossroad in his career.
Introduced by Charlie Rose as the funniest man in America, comedian Andre Allen (Chris Rock) is a recovering alcoholic who is famous for playing a character called Hammy, a cop in a bear costume. Looking for a breakthrough in his career, he makes a new ridiculous movie about Haitian slave's rebellion.
During a publicity tour before the movie's opening, hilariously persuaded by his agent (Kevin Hart), Andre agrees to an interview by a reporter, Chelsea Brown (Rosario Dawson) for a profile story in The New York Times.
Perhaps due to the fact that Chelsea is also a recovering alcoholic, during the period of one day, Andre and Chelsea quickly click and are able to make deeper connections while walking around the cinematic streets of New York City and flashing back to Andre's wild days in the past.
The "interview" is constantly interrupted by the Andre's superficial and demanding reality-star fiancé Erica Long (Gabrielle Union) who is preparing their wedding as a live event on the TV network Bravo. Meanwhile, Chelsea spills the beans to Andre about her ambiguous and unfaithful boyfriend Brad (Anders Holm) as a comic relief.
Being a work by Chris Rock, the film is expected to be funny, if not funnier. Some jokes in the film are smart and laugh-out funny, and some are over-the-top and raunchy. The film certainly has plenty amusing or surprising moments, but it's not a brainless slapstick farce.
Often shot in a documentary style and use actors' real name in the movie, the film essentially is crafted as a drama and puts the characters before the jokes. However, that would work better if the story were set on a solid foundation.
The truth is that if Chelsea were indeed a reporter from The New York Times in real life, she would have been fired right on the spot. Chelsea's job is to interview her subject, Andre. Yet, she not only lets Andre turn the table around and dig stories about her past, but also she gets involved with her subject romantically. No matter how long they walk and talk on the streets, these two characters are nothing like Celine and Jesse in Richard Linklater's "Before Sunrise" (1995). It's perplexing how they can hit off so quickly, and in New York City, not in Vienna. Yet, their relationship is crucial to the character development.
One the best moments in the film is when Andre performs a standup gig at a comedy club. You can immediately tell how Chris Rock feels at ease in his most familiar territory. That might indicate which direction the green light has been turned on at a crossroad.
Friday, November 21, 2014
Have you ever feel the chill coming down your spine
simply because somebody's presence? I bet you will
experience that eerie sensation when you
Carell's exquisite performance in
Miller's intensely gripping
(USA 2014 | 134 min.). This masterfully composed and
outstandingly performed character-driven drama reenacts
a bizarre true story which occurred decades
ago. However, Steve
Carell is anything but repeating himself when
playing millionaire John
du Pont. He transcends his well-established comedy
domain and might earns himself an Oscar for his
Stone-faced Mark Schultz (Channing Tatum) and his caring brother Dave (Mark Ruffalo) are world-champion wrestlers. However, their winning of Gold Medals in the 1984 Olympics doesn't seem to change their life much. While Dave continues to coach wrestling to support his family, Mark is hanging on the poverty line day by day.
That situation is suddenly changed when Mark receives a call from one of American's wealthiest man—John du Pont (Steve Carell). John wants Mark to join the Team Foxcatcher at his extravagant estate where he imposes himself as the coach to train the team for the 1988 Olympics. Thirsty for vindication and eager for a new life out of the shadow of his brother Dave, Mark immediately jumps in and becomes John's loyal puppy.
But that unusual relationship doesn't last very long. The unpredictable and intimidating John decides to bring Dave on board as Team Foxcatcher's coach and discards Mark as his favorite. The trio's tango starts to step out of the daunting tune which is playing in their minds.
Winning the Best Director Award at this year's Cannes Film Festival, the director Bennett Miller brilliantly constructs and unfolds an incredible story, and meticulously stays focus on his characters. He composes each scene like a true master who is confidently striking each stroke on a huge canvas. With minimum effort, he is able to create the most intense atmosphere in the air and deepen the complexity of his characters. He never wastes time to explain some details of the story, either because the details lack the importance to the character development, or because the truth is simply unknown. The film clearly reflects his vision on how he wants to tell his story.
Steve Carell should take home an Oscar for his splendid performance as the creepy yet mysterious John du Pont. This well-known over-the-top funny comedian magically disappears in his chilling performance as a troubled soul. Nothing can be more frightening when he simply walks away without saying anything or when he blankly stares at you.
Channing Tatum and Mark Ruffalo are also exceptional in the film playing the Schultz brothers. Their wrestling movements are certainly convincing, but their acting off the wrestling mat is even more mesmerizing. It's heartbroken to see Channing Tatum has one only one brief smile in the entire film as Mark, as well as when Mark Ruffalo reluctantly spills out a few praising words about John. It's devastating to see how John can take advantage and manipulate the brothers with his wealth and his ego.